Caught in the Crossfire: Review of The Flowers of War

The Flowers of War

Director: Zhang Yimou

By Alex Watson

Chinese director Zhang Yimou has delivered us some of the most beautifully shot cinema of the past decade, film such as the lush and colourful Hero which contains some of the most astounding imagery ever capture on celluloid and the equally impressive House of Flying Daggers which featured the well known ‘Echo Game’ scene which proved truly heart stopping! Already well established to western audiences, Yimou this week bring us his own vision of the Japanese invasion of Nanking, China in his new film, The Flowers of War.

John Miller (Christian Bale) is an American mortician who has arrived in Nanking, China but as he does he quickly realizes the Japanese have begun an invasion. At first a drunken opportunist who has come to make money of burying an old priest, Miller is soon forced to take refuge inside a Catholic Cathedral. Very soon he is forced to become a protector of the young girls who preside within the compounds and to do this he pretends to the Japanese that he is the residing priest! As he bonds with the students, Miller is also faced with some difficult choices ahead!

The Flowers of War is very unlike many Zhang Yimou films before it, there are many memorable images in this film of course, but there are also many which show just how savage ‘The Rape of Nanking’ was by the Japanese. The battle sequences are rousing and Yimou films them expertly. Particular when the lone soldier left in Nanking, Major Li (Tong Dawei) takes on a group of Japanese soldiers single handed. The vain efforts of the Chinese justify the horrific situation they are faced with, and when the last line disappears we realise that Miller is truly on his own here!

Redemption is a big theme surrounding Yimou’s film, when we first John Miller the man is frankly- a jerk! He is in this hellish place solely for monetary gain and openly confesses that he drinks at any opportunity. But as he sobers up, his eyes are opened to the true horrors surrounding him! It is in this sequence where Miller realizes that he can make a difference and through this a deep bond is formed with the girls who begin to refer to him as ‘Father John’ and his former shadowy self begins to be redeemed!

Another vital subplot involves the arrival of fourteen flamboyant prostitutes who take shelter inside the cathedral. The initially involvement is an annoyance to the young girls, but it gives the story a massive strength! The hookers with the hearts of gold are a notion that has been well covered in cinema previously, but it’s the presence of their de-facto leader Yu Mo (Ni Ni) that makes it different. Yu Mo provides the stability and strong female presence that is needed for the group and her blossoming romance with Miller is one of the movie’s most touching elements.

In many ways it is a shame that The Flowers of War has received such a limited release in the United Kingdom because it is one of the most heart wrenching films we are likely to find this year. Zhang Yimou’s film has an entire spectrum of emotion to it and this is the movies principle strength because we never know what are going to feel next. And as we leave the cinema this feeling stays with us and we just sense that this film will hang on our minds for days to come.

The ever present man of cinema this year, Christian Bale rings in another brilliant central turn as Miller. Some might sneer at his characters change of persona and call it a clique. But it really doesn’t matter as Bale is truly magnificent and gives us one of the emotionally driven performances of the year! His Miller may be unlikable at first, but war can change people in ways we can’t imagine!

But its debutant Ni Ni that makes the strongest impression as Yu Mo; and her beauty is only matched by her charm. But she isn’t just all looks; Ni Ni also brings gentleness to her role that makes her essential to the story.  This is one career we shall watch with interest and it appears Yimou has found his next Gong Li!

This is another giant step towards a western production by Zhang Yimou, and I truly hope this comes to fruition because he is possibly the most stunning visual director in Asian cinema today. The Flowers of War is a very brutal yet extremely beautiful film that will leave a lasting impression for a long time! Shame on you Oscar for ignoring this and next time Yimou comes around you better pay closer attention!

Adrenaline Junkie: Review of The Raid

The Raid

Director: Gareth Evans

By Alex Watson

 

It’s always an amazing feeling to leave the cinema with a massive buzz from the great action film you have just witnessed. This kind of film makes for great viewing and always give you something to discuss for weeks afterwards. Films like Die Hard fit firmly into this category because they give us pure entertainment value. But in the last few years there hasn’t been an action film that has real left us totally astounded. Well Action fans can start celebrated again because we have found a film that more than fits the bill, Indonesian film, The Raid.

The Raid focuses on a rookie police officer Rama (Iko Uwais) who is involved in a raid on a high rise Jakarta building which is home to drug lord Tama (Ray Sahetapy). For years Tama has held this part of town in the palm of his hand, and now the cops are determined to bring him down. Initially the raid is a success but then the word gets out the cops are in the building! In response Tama battens down the hatches and makes sure the cops are trapped with no escape! Rama is now faced with fighting his way out, even though he knows that all 30 floors are filled with blood thirsty killers!

The high octane feel of The Raid is present from the very start and this is a feeling that never relents! For the first in years we have an action film that delivers exactly what it promises- fast paced action where the audience has to fight to catch its breath! During the fight scenes this effect comes into play, particular when star Uwais fights with a baddie whilst falling from three storeys above! This how action films are made and director Gareth Evans has put this one up with the very best!

Although the plot might seem formulaic- cops against bad guys armed to the teeth with guns, it’s the tight and claustrophobic feeling that keeps us hooked! After a calm and slow build up, the film goes into overdrive when the cop’s presence is discovered! From there it becomes a chest tightening experience- particularly as we know there is nowhere for them to run! There are the usual twists and turns to keep us connected to the plot, but after the constant adrenaline you will feel grateful for the rest!

Perhaps the most surprising thing of this Asian film is that it was directed by a Welshman! Gareth Evans has now announced himself to the world stage and he has given us one of the films of 2012! Through his jerky and uneven camera movement he leaves us constantly breathless! In The Raid he brings across a polished western feel, this brings the film above the normal cut and paste action thrillers of recent years, all the while still preserving the manic feel of Asian cinema.

But the biggest find in The Raid is star Ido Uwais, who was discovered working as a delivery man in Indonesia by Evans in 2007 while he was making a documentary. Well it seems he was a great find because we have a fascinating new action star on our hands. As Rama he is effortlessly cool, but has a great human side to him in his quiet moments. All the way through his martial art skills leave us open mouthed! Especially during the final double attack sequence on henchman Mad Dog (Yayan Ruhian), which is seemingly destined for cult fight scene status!

This year you will be hard pressed to find a better and more entertain action film than The Raid! The mass critical acclaim on the film festival circuit proves this. Both Evans and Uwais make a brilliant combination together and I cannot wait for the sequel for this to materialize.  I can confidently predict this will be high up on my films of the year list! But be warned your heart might stop any given point!