Top 10 Great Movie Character Entrances

Top 10 Great Movie Character Entrances

Sherif Ali (Lawrence of Arabia): The first appearance of Omar Sharif’s Ali is by far one of the most stylish ever created on screen as he makes a splendid entrance, appearing first as a speck on the horizon then slowly through the desert heat haze comes a camel with Ali riding on its back and Lawrence looks on in sheer amazement. Legendary set designer John Box achieved this stunning look by lining the desert sand with white stones to bring the full effect- today this scene is still awe inspiring and in Lawrence’s very long running time, it is this moment that will forever stand out!

Darth Vader (Star Wars): The man in black’s first appearance on screen is one forever imprinted onto the minds of die hard Star Wars fans- emerging from the destroyed blast door of the rebel ship with his storm troopers in tow, he calmly enters the scene with cold hard authority and in an instant the quintessential cinematic villain is born! Set to John Williams’ famous score, George Lucas masterfully set up one of the series most iconic characters who is able to conjure up pure excitement and immense nerves whenever he appears- but when he chokes the Rebel commander to a bone breaking death- we realize this is no ordinary villain!

Quint (Jaws): During a town meeting, the residents of Amity Island argues amongst themselves as to who will kill the Shark that has devastated their town and more recently killed the Kitner family’s boy- suddenly a horrific dry scratching noise rings out! The camera pans around to reveal hunter Quint (Robert Shaw) running his nails down a black board, which on it has a drawing of a stick man being eaten by a giant shark! Through his hard, piercing gaze, Quint instantly succeeds in not only grabbing the town’s attention, but the audiences too as he offers “$10,000 for me by myself. For that you get the head, the tail, the whole damn thing” the entrance of the old sea dog is as chilling as the entrance of the shark he’s pursuing!

Indiana Jones (Raiders of the Lost Ark): Whenever you see the opening sequence from this movie, it is always able to capture the same exhilaration each time as our hero Indiana Jones (Harrison Ford) skilfully manoveures his way through a variety of booby traps to claim the golden idol he has been seeking, we assume he has made it. But when the room begins to shake- his troubles are only just beginning and Indy is then forced to run from a collapsing chamber and most memorably a giant rolling boulder! This beginning perfectly sets up our hero for the series with his devil may care attitude and his love of the high risk stuff! This scene still ranks as the most notable Indy moment and without, its hard to imagine how the film would have been?

The Balrog of Moria (Lord of the Rings: The Fellowship of the Ring): Gollum and Sauron may have been impressive CGI characters through the Rings trilogy- but neither of them made an entrance more spectacular than the Balrog. As he enters our nine companions are surrounded by a sea of orcs with seemingly no way out! From the air comes a deep growl which alone is enough to send the many enemies scarpering! As a bright orange light slowly creeps across, we know he is heavy duty stuff and from the defeated look on the face of Gandalf (Ian Mckellen) it dawns on our heroes that this enemy cannot be killed by any weapon they possess! But his gigantic and beastly form is revealed to us- it is hard not to be frozen with shock and have fear hit you hard!

John Doe (Se7en): As Kevin Spacey’s killer casually walks into a police station trying to catch the attention of his pursuer Detective Mills (Brad Pitt) it leads to a shocking reveal as he cries out “DETECTIVE!!!” as Mills turns around he sees his suspect drenched in calmly stating “You’re looking for me!” until this point John Doe has never been shown to the audience and has mainly avoided being seen- but his entrance causes firework as baffled cops restrain him. But his introduction will prove to be the catalyst for a tense finale which both thrilling and incredibly devastating as Doe tries to bring the seven deadly sins full circle!

The Alien (Alien): The Chestburster scene still has the ability to scare us even today as the Alien literally ‘bursts’ its way onto our screens through John Hurt! When the crew of the Nostromo starship sit down to what appears to be an ordinary dinner, they have no idea what is about to unfold- cue splatter filled mayhem as the crew stare in wonder at the tiny creature that has just appeared- this moment proves to be the tipping point of Alien- for genuine shock, director Ridley Scott didn’t inform his cast about the chestburster- so the stunned looks all around are genuine here!

Anton Chigurh (No Country For Old Men): One of cinema’s greatest bounty hunters instantly makes his presence felt within moments of arriving in the Coen Brothers Oscar winning thriller- picked up by the cops for a minor offense, Chigurh (Javier Bardem) then proceeds to strangle a young deputy to death with the same cuffs he put on him! The look of almost orgasmic pleasure on his face as he struggles on the floor with his foe instantly sets up one of this century’s finest villains. Moments later he flees in a police car and then after pulling over a random driver- shots him from the head with a captive bolt pistol! Chigurh is a machine of a man and his menace is felt throughout this and his introduction sets the tone for this!

The Joker (The Dark Knight): During the impressive bank heist sequence in Christopher Nolan’s second Batman adventure, the various masked vigilante’s keep mentioning a strange man calling himself ‘The Joker’ but when the Heath Ledger’s grinning maniac is finally revealed to us, his presence is unforgettable as he tells William Fichtner’s mob bank manager “I believe whatever doesn’t kill you simply makes you… stranger!” the moment he whips off his mask the audience see the madman that Bruce Wayne has to deal with and he has a face no one will ever forget!

Leon the Professional (Leon):  Jean Reno as cinema’s best hitman sure has an entrance to go with it as well, as he coolly and brutally executes a multitude of drug dealing baddies to get to his target- but it’s the moment where he corners his victim in the shadows holding a blade to his throat that will raise pulses most as he calmly resists all manner of bribes and simply tells the man to ring a number. Upon completion he simply asks “Do you understand… good!” and slinks off into the darkness.  This is one lesson this dealer will never forget and you can safely say he’ll never be visiting New York again!

An American Abroad: Review of Midnight Express

Classic from the Vault

Midnight Express (1978)

Director: Alan Parker

By Alex Watson

Prison movies as a general rule are never pretty viewing but then again they are never meant to be. Even classic’s such as The Shawshank Redemption showed the grim realities of life on the inside as well as the problems that occur for prisoners when released, where as movies such as A Prophet, Papillion and American History X focus on the horrific violence and corruption that nests within the walls. But few have been as claustrophobic as Alan Parker’s, Midnight Express which told the true story of Billy Hayes’ prison sentence in Turkey and brought some of the most memorable and uncomfortable images of years gone by.

American Billy Hayes (Brad Davis) is attempting to smuggle several bars of hashish out of Istanbul, Turkey when he is caught by the authorities at the airport and is thrown into Sağmalcılar prison. Sentenced to life imprisonment he bonds with fellow western inmates Jimmy (Randy Quaid) and Max (John Hurt) but his sentence soon becomes a living hell with violence and torture a regular feature. Billy soon realizes his only hope is to catch the ‘Midnight Express’ (prison code for escape).

Midnight Express is truly a classic of the prison film genre but it doesn’t make for easy watching and will require a strong stomach throughout. The film caused outrage in Turkey upon release and severely affected tourism for some years after its graphic depiction of the ill treatment given to Hayes and co by sadistic guard Hamidou (Paul Smith). But Parker doesn’t strive to make the population an enemy and rather than going for typical racist stereotypes he instead gives a realistic depiction of prison life and the hardship faced.

Oliver Stone’s Oscar winning script contributes to the engaging and tense story line and Billy’s journey is one hell of a ride as he sees the problems faced by Westerners in 1970’s Turkey as his faith in the legal system turns on his head midway through when his early release is cruelly denied! After his hopes are tarnished he turns to trying to escape and this where the real tension creeps in and as his optimism crumbles, so does Billy mental state. But it provides an uplifting yet heart stopping finale and aided by Giorgio Moroder’s pulsating electronic score it ends the film of a high note.

The images in Midnight Express are at times hard to swallow such as a gruesome scene where Billy in a moment of madness bites out the tongue of a fellow inmate, but it’s the moments that go un-seen which are by far the worst to imagine as we hear Max’s cat killed off screen and see Billy about to be raped by Hamidou at the films early stage. But as difficult as they are, these images ensure the film stays in our minds long after the finale credits have rolled.

The late Brad Davis (who died of AIDS in 1991) gives a heartbreaking and real performance as Billy and through the film we are drawn to his struggle and have the upmost sympathy for his plight. Davis’ career never quite matched the heights of this performance and it is tragic that he was so little seen after his terrific performance here. Randy Quaid also does well as cocky American inmate Jimmy whose repeated escape attempts make him a target for the guard. But its John Hurt who proves the memorable as heroin addicted prisoner Max, a man who has a spent perhaps too long behind bars and whose mind seems to be deteriorating and through Hurt’s quiet brilliance, he more than matches Davis.

Alan Parker is one of the under-rated director’s of years gone by and was deservedly awarded the BAFTA Fellowship at this year’s ceremony. Midnight Express is a prime example of the movies he has been capable of making and his able to bring suspense on screen that is rarely matched. For a movie that will truly stick your mind for a variety of reason then this is recommend. Also it will teach you a valuable lesson on avoiding prison abroad!